• After the Quake

    For the characters in after the quake, the Kobe earthquake is an echo from a past they buried long ago. Satsuki has spent thirty years hating one man: did her desire for revenge cause the earthquake? Miyake left his family in Kobe to make midnight bonfires on a beach hundreds of miles away.

    Fourteen-year-old Sala has nightmares that the Earthquake Man is trying to stuff her inside a little box. Katagiri returns home to find a giant frog in his apartment on a mission to save Tokyo from a massive burrowing worm. ‘When he gets angry, he causes earthquakes,’ says Frog. ‘And right now he is very, very angry.

    After the Quake

     800.00
  • Birthday Girl

    Birthday Girl is a beguiling, exquisitely satisfying short story . A taste of master storytelling, published to celebrate Murakami’s 70th birthday.

    Birthday Girl

     160.00
  • Dance Dance Dance

    An assault on the senses, part murder mystery, part metaphysical speculation; a fable for our times as catchy as a rock song blasting from the window of a sports car.

    High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.

    Combine this offbeat cast of characters with Murakami’s idiosyncratic prose and out comes Dance Dance Dance.

    Dance Dance Dance

     960.00
  • South of The Border, West of The Sun

    A moving, thoughtful story of long-lost love and second chances

    Growing up in the suburbs in post-war Japan, it seemed to Hajime that everyone but him had brothers and sisters. His sole companion was Shimamoto, also an only child. Together they spent long afternoons listening to her father’s record collection. But when his family moved away, the two lost touch.

    Now Hajime is in his thirties. After a decade of drifting, he has found happiness with his loving wife and two daughters, and success running a jazz bar. Then Shimamoto reappears. She is beautiful, intense, enveloped in mystery. Hajime is catapulted into the past, putting at risk all he has in the present.

    ‘Casablanca remade Japanese style…It is dream-like writing, laden with scenes which have the radiance of a poem’ The Times

  • The Elephant Vanishes

    A dizzying short story collection that displays Murakami’s genius for uncovering the surreal in the everyday, the extraordinary within the ordinary

    *Featuring the story ‘Barn Burning’, the inspiration behind the Palme d’Or nominated film Burning*

    When a man’s favourite elephant vanishes, the balance of his whole life is subtly upset. A couple’s midnight hunger pangs drive them to hold up a McDonald’s. A woman finds she is irresistible to a small green monster that burrows through her front garden. An insomniac wife wakes up in a twilight world of semi-consciousness in which anything seems possible – even death.

  • Underground

    Underground: The Tokyo Gas Attack and the Japanese Psyche is a book by Japanese novelist Haruki Murakami about the 1995 Aum Shinrikyo sarin gas attack on the Tokyo subway.

    Underground

     960.00
  • Wind/ Pinball: Two Novels

    Discover Haruki Murakami’s first two novels. ‘If you’re the sort of guy who raids the refrigerators of silent kitchens at three o’clock in the morning, you can only write accordingly. That’s who I am.’

     

    Hear the Wind Sing and Pinball, 1973 are Haruki Murakami’s earliest novels. They follow the fortunes of the narrator and his friend, known only by his nickname, the Rat. In Hear the Wind Sing the narrator is home from college on his summer break. He spends his time drinking beer and smoking in J’s Bar with the Rat, listening to the radio, thinking about writing and the women he has slept with, and pursuing a relationship with a girl with nine fingers. Three years later, in Pinball, 1973, he has moved to Tokyo to work as a translator and live with indistinguishable twin girls, but the Rat has remained behind, despite his efforts to leave both the town and his girlfriend. The narrator finds himself haunted by memories of his own doomed relationship but also, more bizarrely, by his short-lived obsession with playing pinball in J’s Bar. This sends him on a quest to find the exact model of pinball machine he had enjoyed playing years earlier: the three-flipper Spaceship.

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